Pedagogical Conditions for the Development of Performing Culture in Vocal Students during their Professional Training

Authors

DOI:

https://doi.org/10.63437/3083-6425-2025-3(98)-10

Keywords:

music pedagogy, performance culture, professional training, vocal art, artistry, pedagogical conditions, artistic refl ection

Abstract

This article identifies and analyzes the pedagogical conditions necessary for the effective formation of a vocal student’s performing culture during professional training. A vocalist's performing culture is understood to encompass the development of technical skills as well as cognitive, evaluative-interpretative, creative, and communicative-artistic activities. The importance of an innovative, artistic, and personalized approach based on the principles of acmeological art pedagogy is emphasized. Such an approach fosters the development of the unique qualities of each musician-vocalist and contributes to their professional growth.

The following pedagogical conditions have been identified for the formation of a vocal student's performing culture during professional training:  active involvement of vocal students in the process of independently mastering the fundamentals of the performing arts and developing artistic self-awareness; ensuring a creative atmosphere in teacher-student interactions based on openness, trust, and mutual respect to facilitate an equal pedagogical partnership; creating conditions to stimulate students’ public performance activities in order to expand their concert, communication, and artistic experience; orienting students’ reflective activities toward developing performance culture as a component of professional mastery.

Artistic reflection is emphasized as it contributes to the formation of individual musical taste, expands repertoire, and improves students’ performance skills and abilities. It also fosters constant professional self-development and encourages personal and creative growth in vocal and pedagogical activities.

Downloads

Download data is not yet available.

References

1. Брилін Б. А., Козир А. В. Здатність до мистецької рефлексії як ознака фахової майстерності майбутніх учителів музики. Науковий вісник Миколаївського державного університету імені В.О. Сухомлинського. 2010. Вип. 1.31. С. 11–18.

2. Падалка Г. М. Педагогіка мистецтва: теорія і методика викладання мистецьких дисциплін. Київ: Освіта України, 2008. 274 с.

3. Рудницька О. П. Педагогіка: загальна та мистецька: навч. посіб. Київ: Інртерпроф, 2002. 270 с.

4. Савчин М., Студент М. Рефлексія як механізм вдосконалення професійної діяльності. Педагогіка і психологія професійної освіти. 2002. № 2. С. 137–146.

References

1. Brylyn, B. A., & Kozyr, A. V. (2010). Zdatnist do mystetskoi refleksii yak oznaka fakhovoi maisternosti maibutnikh uchyteliv muzyky [The ability for artistic reflection as a feature of professional mastery of future music teachers]. Naukovyi visnyk Mykolaivskoho derzhavnoho universytetu imeni V. O. Sukhomlynskoho – Scientific Bulletin of Mykolaiv State University named after V. O. Sukhomlynskyi, (1.31), 11-18. [in Ukrainian].

2. Padalka, H. M. (2008). Pedahohika mystetstva: teoriia i metodyka vykladannia mystetskykh dystsyplin [Pedagogy of art: Theory and methods of teaching art disciplines]. Kyiv: Osvita Ukrainy. [in Ukrainian].

3. Rudnytska, O. P. (2002). Pedahohika: zahalna ta mystetska [Pedagogy: General and artistic]. Kyiv: Interprof. [in Ukrainian].

4. Savchyn, M., & Student, M. (2002). Refleksiia yak mekhanizm vdoskonalennia profesiinoi diialnosti [Reflection as a mechanism for improving professional activity]. Pedahohika i psykholohiia profesiinoi osvity – Pedagogy and Psychology of Vocational Education, (2), 137-146. [in Ukrainian].

Published

2025-10-01

Issue

Section

PEDAGOGICAL AND PSYCHOLOGICAL EXPERIENCE